Technically Speaking: Peter Leverman Adds Light Touches to His Locations

December 02, 2008 Even though I was shooting large format, I didn't fully correct for the convergence, both because of the limitations of the camera movements and, more importantly, to keep it real. Knowing we would mix strobe with tungsten (I don't like to have the same quality and color of light everywhere), along with the existing incandescent lighting, I kept exposures relatively long. In fact, when you step outside, the first thing you notice is the overpowering street lamps.

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